Friday 11 December 2020 20:00 – 00:30
The fourth event of our ๐ผ๐ช๐ฉ๐ช๐ข๐ฃ ๐๐ช๐๐ฃ๐ฉ๐ ๐ฅ๐ง๐ค๐๐ง๐๐ข ๐จ๐๐๐จ๐ค๐ฃ is devoted to the quanta that make up imagery which remains at the edges of human consciousness. These quanta insistently disturb our sleep in their slow and inexorable emergence into our thought patterns and our shifting mental landscapes. These are the undercurrencies that gradually redefine our perception and our orientation in space. We now occupy a decisively changed environment before we have barely begun to notice it.
๐ง๐ต๐ฒ ๐๐น๐๐ฒ๐ฟ๐ป๐ฎ๐๐ถ๐ป๐ด ๐๐๐ฟ๐ฟ๐ฒ๐ป๐ ๐ฝ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ ๐๐ผ๐ป๐๐ฎ๐ฐ๐ ๐ง๐ฟ๐ฎ๐ฐ๐ถ๐ป๐ด๐ ๐๐ฒ๐น๐ผ๐ ๐๐ต๐ฒ ๐ง๐ต๐ฟ๐ฒ๐๐ต๐ผ๐น๐ฑ
A battery of projection operations produces a meditation on visual stimulus and the recurrence of unconscious images and operations spawned in the time of Covid. A system of feedbacking programs creates sudden jolts that briefly pin shadows to the walls as another form of contact tracing while unsettling reminders and insistent recurrences may be dimly absorbed.
๐ง๐ต๐ฒ ๐ช๐ฎ๐น๐ธ๐ฏ๐ฎ๐ฐ๐ธ ๐ฝ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ ๐ ๐๐ฎ๐บ๐ฒ ๐ผ๐ณ ๐๐ป๐๐ถ๐ด๐ฒ๐ป๐ถ๐ฐ ๐๐๐ฐ๐ฎ๐ฝ๐ฒ
A secret game for all performers and spectators which is based upon the laws of social distancing and ultimate conscious removal from the increasingly lethal atmosphere. This game works like children avoiding walking on cracks while its visible signs are as subtle but one must look closely to catch this subliminal series of maneuvers at work.
๐ง๐ต๐ฒ ๐๐ฐ๐๐ถ๐ป๐ด ๐ค๐๐ฏ๐ถ๐๐ (๐ณ๐ฟ๐ผ๐บ ๐ผ๐๐ฟ ๐น๐ฎ๐๐ ๐น๐ถ๐๐ฒ๐๐๐ฟ๐ฒ๐ฎ๐บ) ๐ฝ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ ๐๐ฉ๐๐ฅ๐ฌ๐ง๐๐๐ก๐ ๐๐ฆ ๐๐ก ๐ข๐ฅ๐๐๐ฅ ๐๐ก ๐ ๐๐๐๐๐ ๐๐ข๐๐ย
For this event, a synthesis of fractals, non-locality, and emergence will be conducted. To understand this plane we need to obstruct the mundane and seed interpretations in abstract space. The piece is an audio/visual deep dive into understanding, seeing, and listening to our probabilistic reality. ๐๐ฆ๐ณ๐ง๐ฐ๐ณ๐ฎ๐ข๐ฏ๐ค๐ฆ ๐ฃ๐บ ๐๐ฏ๐ฅ๐ณ๐ฆ๐ข๐ด ๐๐ฆ๐จ๐ฏ๐ข๐ฏ๐ฅ๐ฆ๐ณ ๐ข๐ฏ๐ฅ ๐๐ข๐น ๐ท๐ข๐ฏ ๐ฅ๐ฆ๐ณ ๐๐ข๐ญ.
๐๐ฒ๐๐ฒ๐ฟ๐๐ฒ๐ฟ & ๐ง๐ต๐ฒ ๐ก๐ผ๐บ๐ฎ๐ฑ๐ ๐ฝ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ ๐ช๐ฒ๐ถ๐ฟ๐ฑ ๐ก๐ถ๐ด๐ต๐๐บ๐ฎ๐ฟ๐ฒ
Deserter & The Nomads is a cover band that creates site-specific concert performances of individual songs that at their longest have lasted eight hours. The group has chosen Charles Mingusโ early work composed in Los Angeles, Weird Nightmare, as a tribute to the Coronavirus period in which we live with its weird new normals but also as a reminder of the possibility of a new passion in the context of latent misery. This performance of Weird Nightmare is not expected to be one of the more demanding concerts as it’s only expected to clock in at under four hours. ๐๐ฆ๐ณ๐ง๐ฐ๐ณ๐ฎ๐ข๐ฏ๐ค๐ฆ ๐ฃ๐บ ๐๐ช๐ณ๐ช๐ข๐ฎ ๐ฅ๐ฆ๐ฏ ๐๐ฐ๐ฆ๐ณ, ๐๐ช๐ณ๐ฌ ๐๐ณ๐ถ๐ช๐ฏ๐ด๐ฎ๐ข, ๐๐ข๐ณ๐ช๐ฑ๐ฆ๐ฑ๐ข ๐๐ฐ๐ฏ๐ต๐ณ๐ฆ๐ณ๐ข๐ด, ๐๐ฏ๐ฅ๐ณ๐ช๐ถ๐ด ๐๐ฆ๐ณ๐ฆ๐ท๐ช๐ข๐ฏ๐ค๐ฆ๐ฏ๐ฌ๐ฐ, ๐๐ช๐ถ๐ด๐ฆ๐ฑ๐ฑ๐ฆ ๐๐ฐ๐ณ๐ฐ๐ฏ๐ป๐ฐ, ๐๐ฆ๐ณ๐ฐ๐จ๐ฆ ๐๐ถ๐ฎ๐ช๐ต๐ณ๐ช๐ถ, ๐๐ถ๐ค๐ช๐ซ๐ข ๐๐ณ๐ฆ๐จ๐ฐ๐ท, ๐๐ข๐ณ๐ช๐ฆ๐ญ๐ญ๐ฆ ๐๐ณ๐ฐ๐ท๐ฆ๐ฏ, ๐๐ฐ๐จ๐ช๐ฆ๐ณ ๐๐ฐ๐ณ๐ฏ๐ฎ๐ข๐ฏ, ๐๐ข๐ญ๐ท๐ฐ๐ข๐ฏ๐ฅ๐ณ๐ฆ๐ข ๐๐ถ๐ค๐ช๐ง๐ฐ๐ณ๐ข, ๐๐ข๐ณ๐ฐ๐ฏ ๐๐ถ๐ฎ๐ญ๐ฆ๐บ, ๐๐ข๐ถ ๐๐ฐ๐ญ๐ข ๐๐ข๐ด๐ข๐ง๐ณ๐ช๐ต๐ด, ๐๐ญ๐ข๐ด๐ต๐ข๐ช๐ณ ๐๐ข๐บ๐ฏ๐ฆ, ๐๐ญ๐ข๐ฏ ๐๐ถ๐ณ๐ท๐ฆ๐ด, ๐๐ฅ๐ข ๐๐ข๐ท๐ฆ, ๐๐ช๐ฎ๐ฎ๐บ ๐๐ฆ๐ณ๐ฏ๐ฆ๐ด๐ฌ๐บ, ๐๐ฐ๐ฏ๐ข๐ต๐ฉ๐ข๐ฏ ๐๐ข๐จ๐ฆ๐ญ, ๐ข๐ฏ๐ฅ ๐๐ข๐ฏ ๐๐ช๐ญ๐ญ๐ฆ๐ฎ ๐ท๐ข๐ฏ ๐ฅ๐ฆ๐ณ ๐๐ข๐ฎ.
๐๐ถ๐บ๐ถ๐๐ฒ๐ฑ ๐ฝ๐น๐ฎ๐ฐ๐ฒ ๐ณ๐ผ๐ฟ ๐ฏ๐ฌ ๐ด๐๐ฒ๐๐๐
๐ง๐ถ๐ฐ๐ธ๐ฒ๐๐ ๐ฎ๐ฟ๐ฒ โฌ๐ญ๐ฌ ๐ข๐ก๐๐ฌ ๐๐๐ฆ๐ ๐ฎ๐ ๐๐ต๐ฒ ๐ฑ๐ผ๐ผ๐ฟ | โฌ๐ฑ ๐ณ๐ผ๐ฟ ๐๐๐๐ฑ๐ฒ๐ป๐๐
๐ฅ๐ฒ๐๐ฒ๐ฟ๐๐ฒ ๐๐ผ๐๐ฟ ๐๐ถ๐ฐ๐ธ๐ฒ๐ ๐ฎ๐ ๐ฐ๐น๐ผ๐๐ฑ๐ฎ๐ฏ@๐
๐๐ฐ๐ฎ๐น๐น.๐ป๐น – ๐ฒ-๐บ๐ฎ๐ถ๐น ๐ถ๐ป ๐ฐ๐ฎ๐๐ฒ ๐ผ๐ณ ๐ฐ๐ฎ๐ป๐ฐ๐ฒ๐น๐ฎ๐๐ถ๐ผ๐ป
๐๐ผ๐ฟ๐ผ๐ป๐ฎ ๐บ๐ฒ๐ฎ๐๐๐ฟ๐ฒ๐บ๐ฒ๐ป๐๐ ๐ฎ๐ฟ๐ฒ ๐บ๐ฒ๐: ๐๐ต๐ฒ ๐ฎ๐๐ฑ๐ถ๐ฒ๐ป๐ฐ๐ฒ ๐๐ถ๐น๐น ๐ฏ๐ฒ ๐๐ฒ๐ฎ๐๐ฒ๐ฑ ๐ฎ๐ ๐ฎ๐ฝ๐ฝ๐ฟ๐ผ๐ฝ๐ฟ๐ถ๐ฎ๐๐ฒ ๐ฑ๐ถ๐๐๐ฎ๐ป๐ฐ๐ฒ ๐ฎ๐ป๐ฑ ๐๐ถ๐น๐น ๐ฏ๐ฒ ๐ฟ๐ฒ๐พ๐๐ถ๐ฟ๐ฒ๐ฑ ๐๐ผ ๐๐ฒ๐ฎ๐ฟ ๐ฎ ๐ณ๐ฎ๐ฐ๐ฒ ๐บ๐ฎ๐๐ธ.
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