Watch the Unloomed #1 Online Performance: Outliers, 2.1 & 2.2

Outliers, 2.1 & 2.2 Trailer

Watch the full video

This January ๐—ง๐—ต๐—ฒ ๐—ช๐—ฎ๐—ฟ๐—ฝ and ๐—ญ๐—ผ๐—ป๐—ฒ๐Ÿฎ๐—ฆ๐—ผ๐˜‚๐—ฟ๐—ฐ๐—ฒ presented ๐—ง๐—ต๐—ฒ ๐—ง๐—ฒ๐—ป๐˜‚๐—ผ๐˜‚๐˜€ ๐—”๐˜๐˜๐—ฎ๐—ฐ๐—ต๐—บ๐—ฒ๐—ป๐˜: ๐—จ๐—ป๐—น๐—ผ๐—ผ๐—บ๐—ฒ๐—ฑ an interdisciplinary collaboration as part of the annual winter festival of lights organized by ๐—ญ๐—ผ๐—ป๐—ฒ๐Ÿฎ๐—ฆ๐—ผ๐˜‚๐—ฟ๐—ฐ๐—ฒ in the Amstelpark.

Located in the ๐—š๐—น๐—ฎ๐˜‡๐—ฒ๐—ป ๐—ต๐˜‚๐—ถ๐˜€ in the middle of the Amstelpark, the performances and installation were a result of the collaboration of three artist and performers groups. As a new way to present and experience art during a lockdown, the installation and performance would be quarantined and locked behind the windows, while the public could safely roam free around the glass box in the open quiet space of the park. A light and string installation inside the Glazen Huis created a changing visual landscape of moving shapes, while the string construction was being played by musicians, generating a sound concert for the audience standing outsideโ€ฆ

Credits:

Performed by The Taciturn Receiver
Dancers: Maria Mavridou, Manuela Lucia Tessi, Isabela Pacewicz-Wysocka, Stefania Petroula,
Voice: Senna Laura Leezenberg, Lee Ellickson,
Lasers: Vladimir Grafov,
Strings & Styrofoam: Dirk Bruinsma *This is a correction, Dirk is listed in the video as performing electronics, it should have listed him as playing the installation*,
Percussions &.Strings: Alan Purves

Installation: The Tenuous Attachment: Unloomed #1,
Created by The Transactorโ€™s Receptive Interference (Olivia Ainsley, Lee Ellickson and Vladimir Grafov),

Location: Het Glazen Huis in the Amstelpark presented by The Warp and zone2source.

Video Edited and Produced by Christian Smith

Footage Shot by Max van der Wal
Sound design by Andreas Tegnander.

Texts by Michelle Grangaud, Harry Mathews, and Michele Metail – edited and reassembled into variants by Senna Laura Leezenberg and Lee Ellickson

The performance was recorded by Andreas Tegnander and filmed & edited by Christian Smith.

Some Vast Grey Area online performances

3b3fae30-979c-4de1-85ae-d5dab61ce1ae

The Warp ๐—จ๐—ก๐—ฉ๐—˜๐—œ๐—Ÿ๐—ฆ: ๐™Ž๐™Š๐™ˆ๐™€ ๐™‘๐˜ผ๐™Ž๐™ ๐™‚๐™๐™€๐™” ๐˜ผ๐™๐™€๐˜ผ ๐™„๐™„๐™„ ย MARCH 15ย – APRIL 1ย 2021

Watch Full video

๐˜—๐˜ณ๐˜ฆ๐˜ฐ๐˜ค๐˜ค๐˜ถ๐˜ฑ๐˜ช๐˜ฆ๐˜ฅ ๐˜–๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ท๐˜ฆ ๐˜›๐˜ฆ๐˜ณ๐˜ณ๐˜ข๐˜ช๐˜ฏ: 13 ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ท๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ญ๐˜ฐ๐˜ด๐˜ต ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ
๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ท๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฑ๐˜ข๐˜ค๐˜ฆโ€ฆ  

๐™Ž๐™ค๐™ข๐™š ๐™‘๐™–๐™จ๐™ฉ ๐™‚๐™ง๐™š๐™ฎ ๐˜ผ๐™ง๐™š๐™– ๐™„๐™„๐™„  occurs on the Archive Terrain between ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐Ÿญ๐Ÿฑ ๐˜๐—ผ ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿญ, in order to present a completely different mystery and an even more provocative puzzle involving several performing ensembles. The artists are collaborating within the context of the Archive Terrain as a site to perform strictly in order to generate ๐˜ฏ๐˜ฐ๐˜ฏ-๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ญ and ๐˜ฏ๐˜ฐ๐˜ฏ-๐˜ญ๐˜ฐ๐˜ค๐˜ข๐˜ญ ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด and ๐˜ฒ๐˜ถ๐˜ข๐˜ด๐˜ช ๐˜ฉ๐˜บ๐˜ฑ๐˜ฆ๐˜ณ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜ณ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ฃ๐˜ซ๐˜ฆ๐˜ค๐˜ต๐˜ด. The 13 ‘objects’ will be revelaed following the conclusion of the event. For those that wish to investigate the location, all evidence of the performances will be in plain sight for the perceptive viewer while nothing will take place but the place itself… 

WITH THE PARTICIPATION OF: ๐–ณ๐—๐–พ ๐– ๐—‰๐—‰๐—‹๐—ˆ๐—‰๐—‹๐—‚๐–บ๐—๐–พ ๐–ฑ๐–พ๐—‰๐—ˆ๐—Œ๐—‚๐—๐—ˆ๐—‹๐—’, ๐–  ๐–ฃ๐—‚๐—Œ๐—๐—‹๐–บ๐—Ž๐—€๐—๐— ๐–ฅ๐—ˆ๐—Ž๐—‡๐–ฝ๐–บ๐—๐—‚๐—ˆ๐—‡, ๐–ณ๐—๐–พ ๐–ถ๐–บ๐—…๐—„๐–ป๐–บ๐–ผ๐—„, ๐– ๐—†๐–ป๐—Ž๐—…๐–บ๐—‡๐—, ๐–ฏ๐—’๐–พ๐—๐–บ๐–ผ๐—„๐–พ๐— & ๐–ข๐–พ๐—‹๐—๐–บ๐—‚๐—‡ ๐–ฅ๐–บ๐—†๐—‚๐—…๐—‚๐–บ๐—‹๐—Œ, ๐–ณ๐—๐–พ ๐–ฌ๐—Ž๐—๐—Ž๐–บ๐—…, ๐–ข๐—‚๐—‡๐–พ๐—๐—‹๐–บ๐–ผ๐—๐—ˆ๐—‹, ๐–ณ๐—๐–พ ๐–ค๐—‹๐—‹๐–บ๐—‡๐— ๐–ข๐—‚๐—‹๐—„๐—…๐–พ, ๐–ณ๐—๐–พ ๐–ฅ๐—‚๐–ฟ๐—๐— ๐–ค๐—Œ๐—๐–บ๐—๐–พ & ๐–ณ๐—๐–พ ๐–ฎ๐—‹๐—‚๐–พ๐—‡๐—๐–บ๐—๐—‚๐—ˆ๐—‡ ๐–ข๐—ˆ๐—‡๐—Œ๐–พ๐—‹๐—๐–บ๐—‡๐–ผ๐—’ ๐–ฏ๐—‹๐—ˆ๐—ƒ๐–พ๐–ผ๐—.

SPRINGBOARD: 1 – 25 April

๐™๐™๐™š ๐™’๐™–๐™ง๐™ฅ ๐™ฅ๐™ง๐™š๐™จ๐™š๐™ฃ๐™ฉ๐™จ ๐—ฆ๐—ฃ๐—ฅ๐—œ๐—ก๐—š๐—•๐—ข๐—”๐—ฅ๐—— ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿญ – ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿฎ๐Ÿฑ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿญ
๐˜ˆ๐˜ถ๐˜ฅ๐˜ช๐˜ฐ๐˜๐˜ช๐˜ด๐˜ถ๐˜ข๐˜ญ๐˜š๐˜ฑ๐˜ข๐˜ต๐˜ช๐˜ข๐˜ญ ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฅ๐˜ช๐˜ด๐˜ค๐˜ช๐˜ฑ๐˜ญ๐˜ช๐˜ฏ๐˜ข๐˜ณ๐˜บ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜ช๐˜ฏ ๐˜ข 360ยฐ ๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ช๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณ๐˜ด๐˜ช๐˜ท๐˜ฆ ๐˜ด๐˜ฑ๐˜ข๐˜ค๐˜ฆ ๐˜ญ๐˜ช๐˜ท๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ฏ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ

The Warp presents its current seasonal program of AudioVisualSpatial performances in the Kunstkapel ๐—ฆ๐—ฃ๐—ฅ๐—œ๐—ก๐—š๐—•๐—ข๐—”๐—ฅ๐——. Springboard is a beginning point for projects, a basis from which an enterprise is launched.ย The inspirational starting point from which these performances are developed are the ๐™–๐™ง๐™˜๐™๐™ž๐™ฉ๐™š๐™˜๐™ฉ๐™ช๐™ง๐™–๐™ก ๐™จ๐™ฅ๐™–๐™˜๐™š of the ๐™†๐™ช๐™ฃ๐™จ๐™ฉ๐™ ๐™–๐™ฅ๐™š๐™ก and the ๐™˜๐™ช๐™ง๐™ง๐™š๐™ฃ๐™ฉ ๐˜พ๐™ค๐™ซ๐™ž๐™™-19 ๐™ง๐™š๐™จ๐™ฉ๐™ง๐™ž๐™˜๐™ฉ๐™ž๐™ค๐™ฃ๐™จ. Serving as a ๐˜ซ๐˜ถ๐˜ฎ๐˜ฑ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ง๐˜ง ๐˜ฑ๐˜ฐ๐˜ช๐˜ฏ๐˜ต for the inspiration of artists and performers, Springboard presents a program showcasing several projects inside the Kunstkapel and online.

Upcoming program themes within which artists are working include:ย 
๐˜๐˜ช๐˜ญ๐˜ญ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜‰๐˜ญ๐˜ข๐˜ฏ๐˜ฌ๐˜ด
๐˜š๐˜ฑ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ฐ๐˜ณ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต (๐˜•๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜Š๐˜ญ๐˜ฐ๐˜ค๐˜ฌ ๐˜“๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ด)
๐˜‰๐˜ข๐˜ค๐˜ฌ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜‹๐˜ณ๐˜ข๐˜ธ๐˜ช๐˜ฏ๐˜จ ๐˜‰๐˜ฐ๐˜ข๐˜ณ๐˜ฅย 
๐˜—๐˜ณ๐˜ฐ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜™๐˜ฆ๐˜ฏ๐˜ฐ๐˜ท๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด

Due to the current Corona situation, the program timetable will be announced on short notice, following potentially shifting corona measurements. ๐—ช๐—ฒ ๐—ต๐—ผ๐—ฝ๐—ฒ ๐˜๐—ผ ๐—ฝ๐—น๐˜‚๐—ป๐—ด๐—ฒ ๐˜๐—ผ๐—ด๐—ฒ๐˜๐—ต๐—ฒ๐—ฟ ๐—น๐—ถ๐˜ƒ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ฎ๐—ป ๐—ถ๐—บ๐—บ๐—ฒ๐—ฟ๐˜€๐—ถ๐˜ƒ๐—ฒ โœ๐—ถ๐—ฟ๐—นโœ ๐—ฎ๐—ฟ๐˜ ๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ถ๐—ป๐˜€๐—ถ๐—ฑ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ž๐˜‚๐—ป๐˜€๐˜๐—ธ๐—ฎ๐—ฝ๐—ฒ๐—น. ๐—•๐˜‚๐˜ ๐—ฝ๐—น๐—ฒ๐—ฎ๐˜€๐—ฒ ๐˜€๐˜๐—ฎ๐˜† ๐˜๐˜‚๐—ป๐—ฒ๐—ฑ ๐˜๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต ๐—ผ๐˜‚๐—ฟ ๐—™๐—ฎ๐—ฐ๐—ฒ๐—ฏ๐—ผ๐—ผ๐—ธ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜ ๐—ฎ๐—ป๐—ฑ ๐—ผ๐˜‚๐—ฟ ๐—œ๐—ป๐˜€๐˜๐—ฎ๐—ด๐—ฟ๐—ฎ๐—บ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐˜‚๐—ฝ๐—ฑ๐—ฎ๐˜๐—ฒ๐—ฑ ๐˜„๐—ถ๐˜๐—ต ๐˜๐—ต๐—ฒ ๐—น๐—ฎ๐˜๐—ฒ๐˜€๐˜ ๐—ฎ๐—ป๐—ป๐—ผ๐˜‚๐—ป๐—ฐ๐—ฒ๐—บ๐—ฒ๐—ป๐˜๐˜€ & ๐—ฑ๐—ฒ๐˜ƒ๐—ฒ๐—น๐—ผ๐—ฝ๐—บ๐—ฒ๐—ป๐˜๐˜€ ๐—ถ๐—ป ๐—ฟ๐—ฒ๐—ด๐—ฎ๐—ฟ๐—ฑ ๐˜๐—ผ ๐—น๐—ถ๐˜ƒ๐—ฒ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€.

Watch the Unloomed #1 videos online

In January and February The Warp & Zone2Source presented Unloomed #1 An Installation for Strings and Certain Sketchy Objects of String theory. In the middle of the park inside the ๐—š๐—น๐—ฎ๐˜‡๐—ฒ๐—ป ๐—›๐˜‚๐—ถ๐˜€ an installation combining 1001 strings and laserlight will created a changing visual landscape of moving shapes, while the string installation were being played as one big instrument, composing a sound concert for the audience standing outside.

Watch the online performances on our YouTube channel:

The Greenhouse Quarantines: interdisciplinary art performances from Greenhouses in Amsterdam

๐™๐™๐™š ๐™ง๐™š๐™จ๐™ช๐™ก๐™ฉ๐™จ ๐™ค๐™› ๐™ค๐™ช๐™ง ๐™๐™š๐™—๐™ง๐™ช๐™–๐™ง๐™ฎ ๐™ฅ๐™ง๐™ค๐™Ÿ๐™š๐™˜๐™ฉ ๐™›๐™ค๐™ง ๐™˜๐™ง๐™š๐™–๐™ฉ๐™ž๐™ฃ๐™œ ๐™–๐™ช๐™™๐™ž๐™ค ๐™ซ๐™ž๐™จ๐™ช๐™–๐™ก ๐™จ๐™ฅ๐™–๐™ฉ๐™ž๐™–๐™ก ๐™ฅ๐™š๐™ง๐™›๐™ค๐™ง๐™ข๐™–๐™ฃ๐™˜๐™š ๐™ฌ๐™ค๐™ง๐™ ๐™จ ๐™™๐™ช๐™ง๐™ž๐™ฃ๐™œ ๐™ฆ๐™ช๐™–๐™ง๐™–๐™ฃ๐™ฉ๐™ž๐™ฃ๐™š ๐™ž๐™ฃ ๐™œ๐™ง๐™š๐™š๐™ฃ๐™๐™ค๐™ช๐™จ๐™š๐™จ ๐™ž๐™ฃ ๐˜ผ๐™ข๐™จ๐™ฉ๐™š๐™ง๐™™๐™–๐™ข ๐™–๐™ง๐™š ๐™–๐™ซ๐™–๐™ž๐™ก๐™–๐™—๐™ก๐™š ๐™ฉ๐™ค ๐™ซ๐™ž๐™š๐™ฌ ๐™ค๐™ฃ๐™ก๐™ž๐™ฃ๐™š.

The artists inside the greenhouses were inspired by the transformation of life and plants during quarantine, the interaction between plants and light, and ancient Roman Purging and Plague rites.

Anticipating the one year anniversary of Covid restrictions, the artists concentrated Greenhouses as an annual site of quarantine in itself to protect the plants from what would otherwise be winter sacrifices. The Month of February is historically closely tied to the and itโ€™s name is derived from the Ancient Roman purification ritual called ๐™๐™š๐™—๐™ง๐™ช๐™–๐™ก๐™ž๐™–, in which Rome was purified through prayers and by making offerings and sacrifices to the gods of the dead. 

The Greenhouse Quarantines program was divided into three February Purging periods in order to concentrate on different approaches.

The complete program can be viewed on our YouTube channel:

NRC artikel over Unloomed #1

Eigenlijk krijg je bij het Glazen Huis een choreografie in drie delen te zien die ontstaat in het binnenste van het Glazen Huis. Laserlicht (groen, blauw, soms ook paars) wordt over 1.001 snaren gestuurd. Ogenschijnlijk volkomen willekeurig, altijd veranderend.  Soms gebeurt dat in droomachtige, subtiel pulserende sequenties โ€“ alsof de regen allang is opgehouden maar de bomen en de struiken nog na druppelen. Soms grijpt het licht om zich heen in bliksemachtige grondlijnen die diagonaal naar elkaar lopen, parallel geplaatst zijn of kruispunten vormen. Dan is het alsof je naar een versneld afgedraaide achtervolgingsscรจne in een labyrint van snelwegen kijkt. Soms ook lijkt het altijd maar bewegende licht op een driedimensionale verbeelding van een Proun-schilderij van de Russische constructivist El Lissitzky.

Lees het hele artikel: https://www.nrc.nl/nieuws/2021/01/19/sensationele-symfonie-van-laserlicht-over-1001-snaren-a4028112

๐ต๐‘–๐‘— ๐‘ง๐‘–๐‘—๐‘›? ๐Ÿญ๐Ÿฐ ๐—ณ๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐—ถ ๐Ÿญ๐Ÿด:๐Ÿฌ๐Ÿฌ-๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ performt het ๐™๐™ค๐™™๐™ค ๐™ˆ๐™ค๐™™๐™ค ๐™€๐™ฃ๐™จ๐™š๐™ข๐™—๐™ก๐™š een symfonie waarin de 1001 snaren met non-muzikale objecten als piepschuim, plastic flessen en kartonnen dozen bespeelt wordt.

De installatie en lichtshow door ๐™๐™๐™š ๐™๐™ง๐™–๐™ฃ๐™จ๐™–๐™˜๐™ฉ๐™ค๐™ง๐™จโ€™ ๐™๐™š๐™˜๐™š๐™ฅ๐™ฉ๐™ž๐™ซ๐™š ๐™„๐™ฃ๐™ฉ๐™š๐™ง๐™›๐™š๐™ง๐™š๐™ฃ๐™˜๐™š is dagelijks te bekijken van 13:00-19:00 in het Amstelpark

* in het geval van een verlengde lockdown, zal de performance van 14 februari als een live stream performance plaatsvinden

Watch performance Unloomed #1 online

โžŸ watch how the Todo Modo ensemble plays the installation of ๐™๐™๐™š ๐™๐™ง๐™–๐™ฃ๐™จ๐™–๐™˜๐™ฉ๐™ค๐™ง๐™จโ€™ ๐™๐™š๐™˜๐™š๐™ฅ๐™ฉ๐™ž๐™ซ๐™š ๐™„๐™ฃ๐™ฉ๐™š๐™ง๐™›๐™š๐™ง๐™š๐™ฃ๐™˜๐™š

โ†ณ ๐Ÿญ๐Ÿฐ ๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿญ๐Ÿด:๐Ÿฌ๐Ÿฌ-๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ: ๐—ฐ๐—น๐—ผ๐˜€๐—ถ๐—ป๐—ด ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ
โ†ณ Until ๐Ÿญ๐Ÿฐ ๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† the installation will be visible to view ๐Ÿญ๐Ÿฐ:๐Ÿฌ๐Ÿฌ-๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ in the Amstelpark

Unloomed #1: An Installation for Strings and Certain Sketchy Objects of String Theory

Unloomed #1: An Installation for Strings and Certain Sketchy Objects of String Theory

This January ๐—ง๐—ต๐—ฒ ๐—ช๐—ฎ๐—ฟ๐—ฝ and ๐—ญ๐—ผ๐—ป๐—ฒ๐Ÿฎ๐—ฆ๐—ผ๐˜‚๐—ฟ๐—ฐ๐—ฒ present ๐—ง๐—ต๐—ฒ ๐—ง๐—ฒ๐—ป๐˜‚๐—ผ๐˜‚๐˜€ ๐—”๐˜๐˜๐—ฎ๐—ฐ๐—ต๐—บ๐—ฒ๐—ป๐˜: ๐—จ๐—ป๐—น๐—ผ๐—ผ๐—บ๐—ฒ๐—ฑ an interdisciplinary collaboration as part of the annual winter festival of lights organized by ๐—ญ๐—ผ๐—ป๐—ฒ๐Ÿฎ๐—ฆ๐—ผ๐˜‚๐—ฟ๐—ฐ๐—ฒ in the Amstelpark.ย 

Located in the ๐—š๐—น๐—ฎ๐˜‡๐—ฒ๐—ป ๐—ต๐˜‚๐—ถ๐˜€ in the middle of the Amstelpark, the performances and installation are a result of the collaboration of three artist and performers groups. As a new way to present and experience art during a lockdown, the installation and performance will be quarantined and locked behind the windows, while the public can safely roam free around the glass box in the open quiet space of the park. A light and string installation inside the Glazen Huis creates a changing visual landscape of moving shapes, while the string construction is being played by musicians, generating a sound concert for the audience standing outside…

๐Ÿญ๐Ÿฑ ๐—๐—ฎ๐—ป๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿญ๐Ÿฒ:๐Ÿฏ๐Ÿฌ -๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ: ๐—น๐—ถ๐˜ƒ๐—ฒ ๐˜€๐˜๐—ฟ๐—ฒ๐—ฎ๐—บ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ
๐Ÿญ๐Ÿฒ ๐—๐—ฎ๐—ป๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿญ๐Ÿด:๐Ÿฌ๐Ÿฌ-๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ: ๐—น๐—ถ๐˜ƒ๐—ฒ ๐˜€๐˜๐—ฟ๐—ฒ๐—ฎ๐—บ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ
๐Ÿญ๐Ÿฐ ๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿญ๐Ÿด:๐Ÿฌ๐Ÿฌ-๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ: ๐—ฐ๐—น๐—ผ๐˜€๐—ถ๐—ป๐—ด ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ
๐Ÿฎ๐Ÿฌ ๐—ณ๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿญ๐Ÿด:๐Ÿฏ๐Ÿฌ – ๐Ÿฎ๐Ÿฌ:๐Ÿฌ๐Ÿฌ: ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ
*๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ๐˜ด๐˜ฆ ๐˜ฅ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฃ๐˜ฆ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Ž๐˜ญ๐˜ข๐˜ป๐˜ฆ๐˜ฏ ๐˜๐˜ถ๐˜ช๐˜ด, ๐˜ฃ๐˜ถ๐˜ต ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ข๐˜ค๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ฐ๐˜ฏ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ข ๐˜ด๐˜ข๐˜ง๐˜ฆ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ต๐˜ฆ ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ

From ๐Ÿญ๐Ÿฑ ๐—๐—ฎ๐—ป๐˜‚๐—ฎ๐—ฟ๐˜† – ๐Ÿฎ๐Ÿฌ ๐—ณ๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜† the installation will be visible to view 13:00-19:00 from outside in the Amstelpark ๐˜ข๐˜ฅ๐˜ท๐˜ช๐˜ค๐˜ฆ: ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ธ๐˜ช๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ฉ๐˜ฐ๐˜ถ๐˜ณ๐˜ด 16:30-19:00 ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ฐ๐˜ฑ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ญ ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ข๐˜ณ๐˜ฌ ๐˜ค๐˜ญ๐˜ฐ๐˜ด๐˜ฆ๐˜ด ๐˜ช๐˜ต’๐˜ด ๐˜จ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ข๐˜ญ๐˜ญ ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ญ๐˜ฆ๐˜ง๐˜ต, ๐˜ด๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ค๐˜ข๐˜ณ๐˜ฆ๐˜ง๐˜ถ๐˜ญ ๐˜ต๐˜ฐ ๐˜ฏ๐˜ฐ๐˜ต ๐˜จ๐˜ฆ๐˜ต ๐˜ญ๐˜ฐ๐˜ค๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ฎ๐˜ด๐˜ต๐˜ฆ๐˜ญ๐˜ฑ๐˜ข๐˜ณ๐˜ฌ ๐˜ต๐˜ฐ ๐˜ด๐˜ฑ๐˜ฆ๐˜ฏ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต..

๐—ง๐—ต๐—ฒ ๐—–๐—ผ๐—ป๐˜๐—ฟ๐—ฎ๐—ฏ๐—ฎ๐—ป๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—–๐—ผ๐—บ๐—ฝ๐—ฎ๐—ป๐˜† focuses on processing artworks exclusively via working in opposition, ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ณ๐˜ข to one another. This results in three active groups that work separately, along specific โ€œlinesโ€, to create a visual installation that serves different purposes for each group, while forming a whole new phenomenon when performing together and blending their separate lines. The Contra aspect of this band of outsiders will seem evident in the performance but in the installation, the work will become completely integrated as a whole. ๐™๐™ฃ๐™ก๐™ค๐™ค๐™ข๐™š๐™™ refers to the groups that do not work together in the interwoven way as the ๐—ง๐—ต๐—ฒ ๐—ช๐—ฎ๐—ฟ๐—ฝโ€™๐˜€ ๐—Ÿ๐—ผ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐—ฝ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ ๐—ผ๐—ณ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿญ that will be centered around the concepts looming and weaving as the symbolization of collaboration. 

String Theory
The framework in which the Unloomed Glazenhuis performances will be developed is ๐˜š๐˜ต๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ฉ๐˜ฆ๐˜ฐ๐˜ณ๐˜บ. String Theory is derived from physics and refers to particles that are replaced by one-dimensional objects called strings. String Theory describes how strings propagate through space and interact with each other, and will function as an inspiration for the artists to produce visible and audible interaction.

The following groups will participate:
๐™๐™๐™š ๐™€๐™ฃ๐™จ๐™š๐™ข๐™—๐™ก๐™š ๐™๐™ค๐™™๐™ค ๐™ˆ๐™ค๐™™๐™ค which works entirely with non-musical objects for the creation of music installations and performances and includes ๐˜ˆ๐˜ญ๐˜ข๐˜ฏ ๐˜—๐˜ถ๐˜ณ๐˜ท๐˜ฆ๐˜ด, ๐˜๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ช๐˜ค๐˜ฐ ๐˜™๐˜ฐ๐˜ด๐˜ข๐˜ญ๐˜บ, ๐˜‹๐˜ช๐˜ณ๐˜ฌ ๐˜‰๐˜ณ๐˜ถ๐˜ช๐˜ฏ๐˜ด๐˜ฎ๐˜ข, ๐˜Š๐˜ฉ๐˜ณ๐˜ช๐˜ด๐˜ต๐˜ช๐˜ข๐˜ฏ ๐˜š๐˜ฎ๐˜ช๐˜ต๐˜ฉ, ๐˜™๐˜ฐ๐˜ฃ๐˜ฃ๐˜ฆ๐˜ณ๐˜ต ๐˜ท๐˜ข๐˜ฏ ๐˜๐˜ถ๐˜ญ๐˜ป๐˜ฆ๐˜ฏ and ๐˜›๐˜ณ๐˜ช๐˜ด๐˜ต๐˜ข๐˜ฏ ๐˜™๐˜ฆ๐˜ฏ๐˜ง๐˜ณ๐˜ฐ๐˜ธ. ๐™๐™๐™š ๐™๐™ง๐™–๐™ฃ๐™จ๐™–๐™˜๐™ฉ๐™ค๐™ง๐™จโ€™ ๐™๐™š๐™˜๐™š๐™ฅ๐™ฉ๐™ž๐™ซ๐™š ๐™„๐™ฃ๐™ฉ๐™š๐™ง๐™›๐™š๐™ง๐™š๐™ฃ๐™˜๐™š creates audiovisual performances with optics, multiple projections, lasers, and layered soundtracks usually against a complex spatial arrangement and includes ๐˜๐˜ญ๐˜ข๐˜ฅ๐˜ช๐˜ฎ๐˜ช๐˜ณ ๐˜Ž๐˜ณ๐˜ข๐˜ง๐˜ฐ๐˜ท and ๐˜–๐˜ญ๐˜ช๐˜ท๐˜ช๐˜ข ๐˜ˆ๐˜ช๐˜ฏ๐˜ด๐˜ญ๐˜ฆ๐˜บ. ๐™๐™–๐™™๐™ž๐™ค๐™ฏ๐™ค๐™ฃ๐™š is a group devoted to radio sound art installation and will be installing radio frequencies in and around the Glazenhuis, creating a relationship between sound and the architectural terrain. The โ€œstringsโ€ will be extended outside the space into a feedback zone surrounding the building which can be explored by spectators by moving around the building.

*all corona-measurements will be met. Come in groups of max. 2 people to the park or with a household.

Unloomed #1 wordt mede mogelijk gemaakt door het Amsterdams Fonds voor de Kunst (AFK) en het Prins Bernhard Cultuurfonds

AUTUMN QUANTA V: VANISHING POINTS

Saturday 12 December 2020 20:00 – 22:00
For the final event of the ๐˜ผ๐™ช๐™ฉ๐™ช๐™ข๐™ฃ ๐™Œ๐™ช๐™–๐™ฃ๐™ฉ๐™– ๐™จ๐™š๐™–๐™จ๐™ค๐™ฃ, we contemplate an event horizon of distant futures, micro bacterial evolutions, questions of human hubris sustainability, and the appearing and disappearing acts of time and space. These last three projects, though they spiral off in disparate directions make us consider the discreet values, the most human-scale definition of the term ๐—ค๐˜‚๐—ฎ๐—ป๐˜๐—ฎ, that underpin our cultures and our connections within them.

๐—”๐—ป๐˜๐˜๐—ถ ๐—ง๐—ฒ๐—ป๐—ฒ๐˜๐˜‡ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐˜€ ๐—œ๐—ป๐˜๐—ผ ๐˜๐—ต๐—ฒ ๐—ฉ๐—ผ๐—ถ๐—ฑ (๐˜€๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป) ๐—ณ๐—ฟ๐—ผ๐—บ ๐˜๐—ต๐—ฒ ๐—ฃ๐—ฒ๐—ฟ๐—ถ๐—ต๐—ฒ๐—น๐—ถ๐—ผ๐—ป ๐—”๐˜‚๐—ด๐˜‚๐—ฟ๐˜† ๐—ฆ๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐—ผ๐—ณ ๐—•๐—ถ๐—ผ๐˜€๐—ฝ๐—ต๐—ฒ๐—ฟ๐—ถ๐—ฐ ๐—™๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ๐˜€
Here we confront another future made more salient in the moment of the pandemic. Visual artist ๐˜ˆ๐˜ฏ๐˜ต๐˜ต๐˜ช ๐˜›๐˜ฆ๐˜ฏ๐˜ฆ๐˜ต๐˜ป will perform a live transmission from a wet lab in a desolate spot in Finland to introduce ๐™‡๐™ž๐™ซ๐™š ๐™ˆ๐™ž๐™˜๐™ง๐™ค๐™—๐™ž๐™–๐™ก ๐˜พ๐™ž๐™ฃ๐™š๐™ข๐™– with Cyanobacteria and other space-related macros/microbial beings, with additional interactive material drawn from human and other than human lifeforms. Tenetz contemplates this microbial cinema with a view towards the possible alternate futures of the biosphere. He presents harsh environments reflected through radiating live bio-materials transformed into audio and visual signals. Technospheric records of data and visuals are developed through machine learning. 

๐—” ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ถ๐—ป๐—ฒ ๐—ฃ๐—ฟ๐—ผ๐˜…๐˜† ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐˜€ ๐—ค๐˜‚๐—ฎ๐—ป๐˜๐˜‚๐—บ ๐—ฆ๐˜‚๐—ถ๐—ฐ๐—ถ๐—ฑ๐—ฒ & ๐—œ๐—บ๐—บ๐—ผ๐—ฟ๐˜๐—ฎ๐—น๐—ถ๐˜๐—ถ๐—ฒ๐˜€
A Borderline Proxy is a movement-based performance company currently interested in interactive communications in new and social media. This short work is concerned with ๐™ฉ๐™๐™š ๐™ฆ๐™ช๐™–๐™ฃ๐™ฉ๐™ช๐™ข ๐™ฅ๐™๐™ฎ๐™จ๐™ž๐™˜๐™จ ๐™ฉ๐™๐™ค๐™ช๐™œ๐™๐™ฉ ๐™š๐™ญ๐™ฅ๐™š๐™ง๐™ž๐™ข๐™š๐™ฃ๐™ฉ (from which the tile comes) in relation to the creative process and the real spirit of the human body as a vehicle for suffering and transformation. This work serves as a prelude for an upcoming project concerning life during the pandemic. ๐˜—๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ข ๐˜”๐˜ข๐˜ท๐˜ณ๐˜ช๐˜ฅ๐˜ฐ๐˜ถ, ๐˜”๐˜ข๐˜ฏ๐˜ถ๐˜ฆ๐˜ญ๐˜ข ๐˜“๐˜ถ๐˜ค๐˜ช๐˜ข ๐˜›๐˜ฆ๐˜ด๐˜ด๐˜ช, ๐˜‘๐˜ฐ๐˜ฏ๐˜ข๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜•๐˜ข๐˜จ๐˜ฆ๐˜ญ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ž๐˜ข๐˜ฏ๐˜ฏ๐˜ฆ๐˜ด ๐˜“๐˜ข๐˜ฃ๐˜ข๐˜ต๐˜ฉ

๐——๐—ถ๐—ฒ๐˜๐—ฒ๐—ฟ ๐—ฉ๐—ฎ๐—ป๐—ฑ๐—ผ๐—ฟ๐—ฒ๐—ป ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐˜€ ๐—–๐˜†๐—ฐ๐—น๐—ฒ๐˜€
๐˜‹๐˜ช๐˜ฆ๐˜ต๐˜ฆ๐˜ณ ๐˜๐˜ข๐˜ฏ๐˜‹๐˜ฐ๐˜ณ๐˜ฆ๐˜ฏ is a member of ๐™ž๐™ž๐™ž, and who has already created wonders expressly for the Kunstkapel. This new work which is inspired by and in some ways recreates the Kunstkapel within itself! Thus, the approach to composition is from an architectural, spatial perspective. Visual and sonic elements are designed and positioned in close relation and interaction with the performance space. The static architectural characters get accentuated and extended by the ephemeral audiovisual elements, entangling in an immersive play of structure, light, and sound. The minimal architectural character of the Kunstkapel invites an equally minimal design of visual and sonic elements. 4 light projectors will be used: wash-beam moving headlamps, able to scan the space in all directions with powerful light beams morphing from tight focus to wide washes. The beams will create dynamic, immersive light structures complementing the static architecture. Sound will be generated using rhythmic pattern synthesizers with a cyclical nature reminiscent of the space’s shape.

๐—Ÿ๐—ถ๐—บ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐Ÿฏ๐Ÿฌ ๐—ด๐˜‚๐—ฒ๐˜€๐˜๐˜€
๐—ง๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜๐˜€ ๐—ฎ๐—ฟ๐—ฒ โ‚ฌ๐Ÿญ๐Ÿฌ ๐—ข๐—ก๐—Ÿ๐—ฌ ๐—–๐—”๐—ฆ๐—› ๐—ฎ๐˜ ๐˜๐—ต๐—ฒ ๐—ฑ๐—ผ๐—ผ๐—ฟ | โ‚ฌ๐Ÿฑ ๐—ณ๐—ผ๐—ฟ ๐˜€๐˜๐˜‚๐—ฑ๐—ฒ๐—ป๐˜๐˜€
๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฒ ๐˜†๐—ผ๐˜‚๐—ฟ ๐˜๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜ ๐—ฎ๐˜ ๐—ฐ๐—น๐—ผ๐˜‚๐—ฑ๐Ÿฎ๐Ÿฏ@๐˜…๐˜€๐Ÿฐ๐—ฎ๐—น๐—น.๐—ป๐—น – ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น ๐—ถ๐—ป ๐—ฐ๐—ฎ๐˜€๐—ฒ ๐—ผ๐—ณ ๐—ฐ๐—ฎ๐—ป๐—ฐ๐—ฒ๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป
๐—–๐—ผ๐—ฟ๐—ผ๐—ป๐—ฎ ๐—บ๐—ฒ๐—ฎ๐˜€๐˜‚๐—ฟ๐—ฒ๐—บ๐—ฒ๐—ป๐˜๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐—บ๐—ฒ๐˜: ๐˜๐—ต๐—ฒ ๐—ฎ๐˜‚๐—ฑ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐˜„๐—ถ๐—น๐—น ๐—ฏ๐—ฒ ๐˜€๐—ฒ๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ฎ๐˜ ๐—ฎ๐—ฝ๐—ฝ๐—ฟ๐—ผ๐—ฝ๐—ฟ๐—ถ๐—ฎ๐˜๐—ฒ ๐—ฑ๐—ถ๐˜€๐˜๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ถ๐—น๐—น ๐—ฏ๐—ฒ ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ ๐˜๐—ผ ๐˜„๐—ฒ๐—ฎ๐—ฟ ๐—ฎ ๐—ณ๐—ฎ๐—ฐ๐—ฒ ๐—บ๐—ฎ๐˜€๐—ธ

Facebook event

AUTUMN QUANTA IV: SUBLIMINAL MESSAGING (UNDERCURRENCIES)

Friday 11 December 2020 20:00 – 00:30
The fourth event of our ๐˜ผ๐™ช๐™ฉ๐™ช๐™ข๐™ฃ ๐™Œ๐™ช๐™–๐™ฃ๐™ฉ๐™– ๐™ฅ๐™ง๐™ค๐™œ๐™ง๐™–๐™ข ๐™จ๐™š๐™–๐™จ๐™ค๐™ฃ is devoted to the quanta that make up imagery which remains at the edges of human consciousness. These quanta insistently disturb our sleep in their slow and inexorable emergence into our thought patterns and our shifting mental landscapes. These are the undercurrencies that gradually redefine our perception and our orientation in space. We now occupy a decisively changed environment before we have barely begun to notice it.

๐—ง๐—ต๐—ฒ ๐—”๐—น๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—–๐˜‚๐—ฟ๐—ฟ๐—ฒ๐—ป๐˜ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐˜€ ๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐—ง๐—ฟ๐—ฎ๐—ฐ๐—ถ๐—ป๐—ด๐˜€ ๐—•๐—ฒ๐—น๐—ผ๐˜„ ๐˜๐—ต๐—ฒ ๐—ง๐—ต๐—ฟ๐—ฒ๐˜€๐—ต๐—ผ๐—น๐—ฑ
A battery of projection operations produces a meditation on visual stimulus and the recurrence of unconscious images and operations spawned in the time of Covid. A system of feedbacking programs creates sudden jolts that briefly pin shadows to the walls as another form of contact tracing while unsettling reminders and insistent recurrences may be dimly absorbed.

๐—ง๐—ต๐—ฒ ๐—ช๐—ฎ๐—น๐—ธ๐—ฏ๐—ฎ๐—ฐ๐—ธ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐˜€ ๐—” ๐—š๐—ฎ๐—บ๐—ฒ ๐—ผ๐—ณ ๐—”๐—ป๐˜๐—ถ๐—ด๐—ฒ๐—ป๐—ถ๐—ฐ ๐—˜๐˜€๐—ฐ๐—ฎ๐—ฝ๐—ฒ
A secret game for all performers and spectators which is based upon the laws of social distancing and ultimate conscious removal from the increasingly lethal atmosphere. This game works like children avoiding walking on cracks while its visible signs are as subtle but one must look closely to catch this subliminal series of maneuvers at work.

๐—ง๐—ต๐—ฒ ๐—”๐—ฐ๐˜๐—ถ๐—ป๐—ด ๐—ค๐˜‚๐—ฏ๐—ถ๐˜๐˜€ (๐—ณ๐—ฟ๐—ผ๐—บ ๐—ผ๐˜‚๐—ฟ ๐—น๐—ฎ๐˜€๐˜ ๐—น๐—ถ๐˜ƒ๐—ฒ๐˜€๐˜๐—ฟ๐—ฒ๐—ฎ๐—บ) ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐˜€ ๐—˜๐—ฉ๐—˜๐—ฅ๐—ฌ๐—ง๐—›๐—œ๐—ก๐—š ๐—œ๐—ฆ ๐—œ๐—ก ๐—ข๐—ฅ๐——๐—˜๐—ฅ ๐—œ๐—ก ๐—” ๐—•๐—Ÿ๐—”๐—–๐—ž ๐—›๐—ข๐—Ÿ๐—˜ย 
For this event, a synthesis of fractals, non-locality, and emergence will be conducted. To understand this plane we need to obstruct the mundane and seed interpretations in abstract space. The piece is an audio/visual deep dive into understanding, seeing, and listening to our probabilistic reality. ๐˜—๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ฃ๐˜บ ๐˜ˆ๐˜ฏ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ด ๐˜›๐˜ฆ๐˜จ๐˜ฏ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜”๐˜ข๐˜น ๐˜ท๐˜ข๐˜ฏ ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ž๐˜ข๐˜ญ.

๐——๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜๐—ฒ๐—ฟ & ๐—ง๐—ต๐—ฒ ๐—ก๐—ผ๐—บ๐—ฎ๐—ฑ๐˜€ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ ๐—ช๐—ฒ๐—ถ๐—ฟ๐—ฑ ๐—ก๐—ถ๐—ด๐—ต๐˜๐—บ๐—ฎ๐—ฟ๐—ฒ
Deserter & The Nomads is a cover band that creates site-specific concert performances of individual songs that at their longest have lasted eight hours. The group has chosen Charles Mingusโ€™ early work composed in Los Angeles, Weird Nightmare, as a tribute to the Coronavirus period in which we live with its weird new normals but also as a reminder of the possibility of a new passion in the context of latent misery. This performance of Weird Nightmare is not expected to be one of the more demanding concerts as it’s only expected to clock in at under four hours. ๐˜—๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ฃ๐˜บ ๐˜”๐˜ช๐˜ณ๐˜ช๐˜ข๐˜ฎ ๐˜ฅ๐˜ฆ๐˜ฏ ๐˜‰๐˜ฐ๐˜ฆ๐˜ณ, ๐˜‹๐˜ช๐˜ณ๐˜ฌ ๐˜‰๐˜ณ๐˜ถ๐˜ช๐˜ฏ๐˜ด๐˜ฎ๐˜ข, ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ฑ๐˜ฆ๐˜ฑ๐˜ข ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ณ๐˜ฆ๐˜ณ๐˜ข๐˜ด, ๐˜ˆ๐˜ฏ๐˜ฅ๐˜ณ๐˜ช๐˜ถ๐˜ด ๐˜‹๐˜ฆ๐˜ณ๐˜ฆ๐˜ท๐˜ช๐˜ข๐˜ฏ๐˜ค๐˜ฆ๐˜ฏ๐˜ฌ๐˜ฐ, ๐˜Ž๐˜ช๐˜ถ๐˜ด๐˜ฆ๐˜ฑ๐˜ฑ๐˜ฆ ๐˜‹๐˜ฐ๐˜ณ๐˜ฐ๐˜ฏ๐˜ป๐˜ฐ, ๐˜Ž๐˜ฆ๐˜ณ๐˜ฐ๐˜จ๐˜ฆ ๐˜‹๐˜ถ๐˜ฎ๐˜ช๐˜ต๐˜ณ๐˜ช๐˜ถ, ๐˜“๐˜ถ๐˜ค๐˜ช๐˜ซ๐˜ข ๐˜Ž๐˜ณ๐˜ฆ๐˜จ๐˜ฐ๐˜ท, ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ ๐˜Ž๐˜ณ๐˜ฐ๐˜ท๐˜ฆ๐˜ฏ, ๐˜™๐˜ฐ๐˜จ๐˜ช๐˜ฆ๐˜ณ ๐˜๐˜ฐ๐˜ณ๐˜ฏ๐˜ฎ๐˜ข๐˜ฏ, ๐˜š๐˜ข๐˜ญ๐˜ท๐˜ฐ๐˜ข๐˜ฏ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข ๐˜“๐˜ถ๐˜ค๐˜ช๐˜ง๐˜ฐ๐˜ณ๐˜ข, ๐˜ˆ๐˜ข๐˜ณ๐˜ฐ๐˜ฏ ๐˜“๐˜ถ๐˜ฎ๐˜ญ๐˜ฆ๐˜บ, ๐˜—๐˜ข๐˜ถ ๐˜š๐˜ฐ๐˜ญ๐˜ข ๐˜”๐˜ข๐˜ด๐˜ข๐˜ง๐˜ณ๐˜ช๐˜ต๐˜ด, ๐˜ˆ๐˜ญ๐˜ข๐˜ด๐˜ต๐˜ข๐˜ช๐˜ณ ๐˜—๐˜ข๐˜บ๐˜ฏ๐˜ฆ, ๐˜ˆ๐˜ญ๐˜ข๐˜ฏ ๐˜—๐˜ถ๐˜ณ๐˜ท๐˜ฆ๐˜ด, ๐˜ˆ๐˜ฅ๐˜ข ๐˜™๐˜ข๐˜ท๐˜ฆ, ๐˜‘๐˜ช๐˜ฎ๐˜ฎ๐˜บ ๐˜š๐˜ฆ๐˜ณ๐˜ฏ๐˜ฆ๐˜ด๐˜ฌ๐˜บ, ๐˜‘๐˜ฐ๐˜ฏ๐˜ข๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜•๐˜ข๐˜จ๐˜ฆ๐˜ญ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜‘๐˜ข๐˜ฏ ๐˜ž๐˜ช๐˜ญ๐˜ญ๐˜ฆ๐˜ฎ ๐˜ท๐˜ข๐˜ฏ ๐˜ฅ๐˜ฆ๐˜ณ ๐˜๐˜ข๐˜ฎ.

๐—Ÿ๐—ถ๐—บ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐Ÿฏ๐Ÿฌ ๐—ด๐˜‚๐—ฒ๐˜€๐˜๐˜€
๐—ง๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜๐˜€ ๐—ฎ๐—ฟ๐—ฒ โ‚ฌ๐Ÿญ๐Ÿฌ ๐—ข๐—ก๐—Ÿ๐—ฌ ๐—–๐—”๐—ฆ๐—› ๐—ฎ๐˜ ๐˜๐—ต๐—ฒ ๐—ฑ๐—ผ๐—ผ๐—ฟ | โ‚ฌ๐Ÿฑ ๐—ณ๐—ผ๐—ฟ ๐˜€๐˜๐˜‚๐—ฑ๐—ฒ๐—ป๐˜๐˜€
๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฒ ๐˜†๐—ผ๐˜‚๐—ฟ ๐˜๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜ ๐—ฎ๐˜ ๐—ฐ๐—น๐—ผ๐˜‚๐—ฑ๐Ÿฎ๐Ÿฏ@๐˜…๐˜€๐Ÿฐ๐—ฎ๐—น๐—น.๐—ป๐—น – ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น ๐—ถ๐—ป ๐—ฐ๐—ฎ๐˜€๐—ฒ ๐—ผ๐—ณ ๐—ฐ๐—ฎ๐—ป๐—ฐ๐—ฒ๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป
๐—–๐—ผ๐—ฟ๐—ผ๐—ป๐—ฎ ๐—บ๐—ฒ๐—ฎ๐˜€๐˜‚๐—ฟ๐—ฒ๐—บ๐—ฒ๐—ป๐˜๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐—บ๐—ฒ๐˜: ๐˜๐—ต๐—ฒ ๐—ฎ๐˜‚๐—ฑ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐˜„๐—ถ๐—น๐—น ๐—ฏ๐—ฒ ๐˜€๐—ฒ๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ฎ๐˜ ๐—ฎ๐—ฝ๐—ฝ๐—ฟ๐—ผ๐—ฝ๐—ฟ๐—ถ๐—ฎ๐˜๐—ฒ ๐—ฑ๐—ถ๐˜€๐˜๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ถ๐—น๐—น ๐—ฏ๐—ฒ ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ ๐˜๐—ผ ๐˜„๐—ฒ๐—ฎ๐—ฟ ๐—ฎ ๐—ณ๐—ฎ๐—ฐ๐—ฒ ๐—บ๐—ฎ๐˜€๐—ธ.


Facebook event