Unloomed #1: An Installation for Strings and Certain Sketchy Objects of String Theory

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Unloomed #1: An Installation for Strings and Certain Sketchy Objects of String Theory

This January 𝗧𝗵𝗲 𝗪𝗮𝗿𝗽 and 𝗭𝗼𝗻𝗲𝟮𝗦𝗼𝘂𝗿𝗰𝗲 present 𝗧𝗵𝗲 𝗧𝗲𝗻𝘂𝗼𝘂𝘀 𝗔𝘁𝘁𝗮𝗰𝗵𝗺𝗲𝗻𝘁: 𝗨𝗻𝗹𝗼𝗼𝗺𝗲𝗱 an interdisciplinary collaboration as part of the annual winter festival of lights organized by 𝗭𝗼𝗻𝗲𝟮𝗦𝗼𝘂𝗿𝗰𝗲 in the Amstelpark. 

Located in the 𝗚𝗹𝗮𝘇𝗲𝗻 𝗵𝘂𝗶𝘀 in the middle of the Amstelpark, the performances and installation are a result of the collaboration of three artist and performers groups. As a new way to present and experience art during a lockdown, the installation and performance will be quarantined and locked behind the windows, while the public can safely roam free around the glass box in the open quiet space of the park. A light and string installation inside the Glazen Huis creates a changing visual landscape of moving shapes, while the string construction is being played by musicians, generating a sound concert for the audience standing outside…

𝟭𝟱 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟲:𝟯𝟬 -𝟭𝟵:𝟬𝟬: 𝗹𝗶𝘃𝗲 𝘀𝘁𝗿𝗲𝗮𝗺 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲
𝟭𝟲 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 𝟭𝟴:𝟬𝟬-𝟭𝟵:𝟬𝟬: 𝗹𝗶𝘃𝗲 𝘀𝘁𝗿𝗲𝗮𝗺 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲
𝟭𝟰 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟴:𝟬𝟬-𝟭𝟵:𝟬𝟬: 𝗰𝗹𝗼𝘀𝗶𝗻𝗴 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲
𝟮𝟬 𝗳𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟴:𝟯𝟬 – 𝟮𝟬:𝟬𝟬: 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲
*𝘰𝘯 𝘵𝘩𝘦𝘴𝘦 𝘥𝘢𝘵𝘦𝘴 𝘵𝘩𝘦𝘳𝘦 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘱𝘦𝘳𝘧𝘰𝘳𝘮𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘎𝘭𝘢𝘻𝘦𝘯 𝘏𝘶𝘪𝘴, 𝘣𝘶𝘵 𝘮𝘢𝘥𝘦 𝘢𝘤𝘤𝘦𝘴𝘴𝘪𝘣𝘭𝘦 𝘰𝘯𝘭𝘪𝘯𝘦 𝘧𝘰𝘳 𝘢 𝘴𝘢𝘧𝘦 𝘳𝘦𝘮𝘰𝘵𝘦 𝘷𝘪𝘦𝘸𝘪𝘯𝘨 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦

From 𝟭𝟱 𝗝𝗮𝗻𝘂𝗮𝗿𝘆 – 𝟮𝟬 𝗳𝗲𝗯𝗿𝘂𝗮𝗿𝘆 the installation will be visible to view 13:00-19:00 from outside in the Amstelpark 𝘢𝘥𝘷𝘪𝘤𝘦: 𝘤𝘰𝘮𝘦 𝘢𝘵 𝘵𝘩𝘦 𝘵𝘸𝘪𝘭𝘪𝘨𝘩𝘵 𝘩𝘰𝘶𝘳𝘴 16:30-19:00 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘰𝘱𝘵𝘪𝘮𝘢𝘭 𝘷𝘪𝘦𝘸𝘪𝘯𝘨 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦. 𝘛𝘩𝘦 𝘱𝘢𝘳𝘬 𝘤𝘭𝘰𝘴𝘦𝘴 𝘪𝘵’𝘴 𝘨𝘢𝘵𝘦𝘴 𝘸𝘩𝘦𝘯 𝘢𝘭𝘭 𝘱𝘦𝘰𝘱𝘭𝘦 𝘩𝘢𝘷𝘦 𝘭𝘦𝘧𝘵, 𝘴𝘰 𝘣𝘦 𝘤𝘢𝘳𝘦𝘧𝘶𝘭 𝘵𝘰 𝘯𝘰𝘵 𝘨𝘦𝘵 𝘭𝘰𝘤𝘬𝘦𝘥 𝘪𝘯𝘴𝘪𝘥𝘦 𝘵𝘩𝘦 𝘈𝘮𝘴𝘵𝘦𝘭𝘱𝘢𝘳𝘬 𝘵𝘰 𝘴𝘱𝘦𝘯𝘵 𝘵𝘩𝘦 𝘯𝘪𝘨𝘩𝘵..

𝗧𝗵𝗲 𝗖𝗼𝗻𝘁𝗿𝗮𝗯𝗮𝗻𝗱 𝗮𝗻𝗱 𝗖𝗼𝗺𝗽𝗮𝗻𝘆 focuses on processing artworks exclusively via working in opposition, 𝘤𝘰𝘯𝘵𝘳𝘢 to one another. This results in three active groups that work separately, along specific “lines”, to create a visual installation that serves different purposes for each group, while forming a whole new phenomenon when performing together and blending their separate lines. The Contra aspect of this band of outsiders will seem evident in the performance but in the installation, the work will become completely integrated as a whole. 𝙐𝙣𝙡𝙤𝙤𝙢𝙚𝙙 refers to the groups that do not work together in the interwoven way as the 𝗧𝗵𝗲 𝗪𝗮𝗿𝗽’𝘀 𝗟𝗼𝗼𝗺𝗶𝗻𝗴 𝗽𝗿𝗼𝗴𝗿𝗮𝗺 𝗼𝗳 𝟮𝟬𝟮𝟭 that will be centered around the concepts looming and weaving as the symbolization of collaboration. 

String Theory
The framework in which the Unloomed Glazenhuis performances will be developed is 𝘚𝘵𝘳𝘪𝘯𝘨 𝘛𝘩𝘦𝘰𝘳𝘺. String Theory is derived from physics and refers to particles that are replaced by one-dimensional objects called strings. String Theory describes how strings propagate through space and interact with each other, and will function as an inspiration for the artists to produce visible and audible interaction.

The following groups will participate:
𝙏𝙝𝙚 𝙀𝙣𝙨𝙚𝙢𝙗𝙡𝙚 𝙏𝙤𝙙𝙤 𝙈𝙤𝙙𝙤 which works entirely with non-musical objects for the creation of music installations and performances and includes 𝘈𝘭𝘢𝘯 𝘗𝘶𝘳𝘷𝘦𝘴, 𝘍𝘳𝘢𝘯𝘤𝘪𝘤𝘰 𝘙𝘰𝘴𝘢𝘭𝘺, 𝘋𝘪𝘳𝘬 𝘉𝘳𝘶𝘪𝘯𝘴𝘮𝘢, 𝘊𝘩𝘳𝘪𝘴𝘵𝘪𝘢𝘯 𝘚𝘮𝘪𝘵𝘩, 𝘙𝘰𝘣𝘣𝘦𝘳𝘵 𝘷𝘢𝘯 𝘏𝘶𝘭𝘻𝘦𝘯 and 𝘛𝘳𝘪𝘴𝘵𝘢𝘯 𝘙𝘦𝘯𝘧𝘳𝘰𝘸. 𝙏𝙝𝙚 𝙏𝙧𝙖𝙣𝙨𝙖𝙘𝙩𝙤𝙧𝙨’ 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙫𝙚 𝙄𝙣𝙩𝙚𝙧𝙛𝙚𝙧𝙚𝙣𝙘𝙚 creates audiovisual performances with optics, multiple projections, lasers, and layered soundtracks usually against a complex spatial arrangement and includes 𝘝𝘭𝘢𝘥𝘪𝘮𝘪𝘳 𝘎𝘳𝘢𝘧𝘰𝘷 and 𝘖𝘭𝘪𝘷𝘪𝘢 𝘈𝘪𝘯𝘴𝘭𝘦𝘺. 𝙍𝙖𝙙𝙞𝙤𝙯𝙤𝙣𝙚 is a group devoted to radio sound art installation and will be installing radio frequencies in and around the Glazenhuis, creating a relationship between sound and the architectural terrain. The “strings” will be extended outside the space into a feedback zone surrounding the building which can be explored by spectators by moving around the building.

*all corona-measurements will be met. Come in groups of max. 2 people to the park or with a household.

Unloomed #1 wordt mede mogelijk gemaakt door het Amsterdams Fonds voor de Kunst (AFK) en het Prins Bernhard Cultuurfonds

AUTUMN QUANTA IV: SUBLIMINAL MESSAGING (UNDERCURRENCIES)

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Friday 11 December 2020 20:00 – 00:30
The fourth event of our 𝘼𝙪𝙩𝙪𝙢𝙣 𝙌𝙪𝙖𝙣𝙩𝙖 𝙥𝙧𝙤𝙜𝙧𝙖𝙢 𝙨𝙚𝙖𝙨𝙤𝙣 is devoted to the quanta that make up imagery which remains at the edges of human consciousness. These quanta insistently disturb our sleep in their slow and inexorable emergence into our thought patterns and our shifting mental landscapes. These are the undercurrencies that gradually redefine our perception and our orientation in space. We now occupy a decisively changed environment before we have barely begun to notice it.

𝗧𝗵𝗲 𝗔𝗹𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗻𝗴 𝗖𝘂𝗿𝗿𝗲𝗻𝘁 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝘀 𝗖𝗼𝗻𝘁𝗮𝗰𝘁 𝗧𝗿𝗮𝗰𝗶𝗻𝗴𝘀 𝗕𝗲𝗹𝗼𝘄 𝘁𝗵𝗲 𝗧𝗵𝗿𝗲𝘀𝗵𝗼𝗹𝗱
A battery of projection operations produces a meditation on visual stimulus and the recurrence of unconscious images and operations spawned in the time of Covid. A system of feedbacking programs creates sudden jolts that briefly pin shadows to the walls as another form of contact tracing while unsettling reminders and insistent recurrences may be dimly absorbed.

𝗧𝗵𝗲 𝗪𝗮𝗹𝗸𝗯𝗮𝗰𝗸 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝘀 𝗔 𝗚𝗮𝗺𝗲 𝗼𝗳 𝗔𝗻𝘁𝗶𝗴𝗲𝗻𝗶𝗰 𝗘𝘀𝗰𝗮𝗽𝗲
A secret game for all performers and spectators which is based upon the laws of social distancing and ultimate conscious removal from the increasingly lethal atmosphere. This game works like children avoiding walking on cracks while its visible signs are as subtle but one must look closely to catch this subliminal series of maneuvers at work.

𝗧𝗵𝗲 𝗔𝗰𝘁𝗶𝗻𝗴 𝗤𝘂𝗯𝗶𝘁𝘀 (𝗳𝗿𝗼𝗺 𝗼𝘂𝗿 𝗹𝗮𝘀𝘁 𝗹𝗶𝘃𝗲𝘀𝘁𝗿𝗲𝗮𝗺) 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝘀 𝗘𝗩𝗘𝗥𝗬𝗧𝗛𝗜𝗡𝗚 𝗜𝗦 𝗜𝗡 𝗢𝗥𝗗𝗘𝗥 𝗜𝗡 𝗔 𝗕𝗟𝗔𝗖𝗞 𝗛𝗢𝗟𝗘 
For this event, a synthesis of fractals, non-locality, and emergence will be conducted. To understand this plane we need to obstruct the mundane and seed interpretations in abstract space. The piece is an audio/visual deep dive into understanding, seeing, and listening to our probabilistic reality. 𝘗𝘦𝘳𝘧𝘰𝘳𝘮𝘢𝘯𝘤𝘦 𝘣𝘺 𝘈𝘯𝘥𝘳𝘦𝘢𝘴 𝘛𝘦𝘨𝘯𝘢𝘯𝘥𝘦𝘳 𝘢𝘯𝘥 𝘔𝘢𝘹 𝘷𝘢𝘯 𝘥𝘦𝘳 𝘞𝘢𝘭.

𝗗𝗲𝘀𝗲𝗿𝘁𝗲𝗿 & 𝗧𝗵𝗲 𝗡𝗼𝗺𝗮𝗱𝘀 𝗽𝗲𝗿𝗳𝗼𝗿𝗺 𝗪𝗲𝗶𝗿𝗱 𝗡𝗶𝗴𝗵𝘁𝗺𝗮𝗿𝗲
Deserter & The Nomads is a cover band that creates site-specific concert performances of individual songs that at their longest have lasted eight hours. The group has chosen Charles Mingus’ early work composed in Los Angeles, Weird Nightmare, as a tribute to the Coronavirus period in which we live with its weird new normals but also as a reminder of the possibility of a new passion in the context of latent misery. This performance of Weird Nightmare is not expected to be one of the more demanding concerts as it’s only expected to clock in at under four hours. 𝘗𝘦𝘳𝘧𝘰𝘳𝘮𝘢𝘯𝘤𝘦 𝘣𝘺 𝘔𝘪𝘳𝘪𝘢𝘮 𝘥𝘦𝘯 𝘉𝘰𝘦𝘳, 𝘋𝘪𝘳𝘬 𝘉𝘳𝘶𝘪𝘯𝘴𝘮𝘢, 𝘔𝘢𝘳𝘪𝘱𝘦𝘱𝘢 𝘊𝘰𝘯𝘵𝘳𝘦𝘳𝘢𝘴, 𝘈𝘯𝘥𝘳𝘪𝘶𝘴 𝘋𝘦𝘳𝘦𝘷𝘪𝘢𝘯𝘤𝘦𝘯𝘬𝘰, 𝘎𝘪𝘶𝘴𝘦𝘱𝘱𝘦 𝘋𝘰𝘳𝘰𝘯𝘻𝘰, 𝘎𝘦𝘳𝘰𝘨𝘦 𝘋𝘶𝘮𝘪𝘵𝘳𝘪𝘶, 𝘓𝘶𝘤𝘪𝘫𝘢 𝘎𝘳𝘦𝘨𝘰𝘷, 𝘔𝘢𝘳𝘪𝘦𝘭𝘭𝘦 𝘎𝘳𝘰𝘷𝘦𝘯, 𝘙𝘰𝘨𝘪𝘦𝘳 𝘏𝘰𝘳𝘯𝘮𝘢𝘯, 𝘚𝘢𝘭𝘷𝘰𝘢𝘯𝘥𝘳𝘦𝘢 𝘓𝘶𝘤𝘪𝘧𝘰𝘳𝘢, 𝘈𝘢𝘳𝘰𝘯 𝘓𝘶𝘮𝘭𝘦𝘺, 𝘗𝘢𝘶 𝘚𝘰𝘭𝘢 𝘔𝘢𝘴𝘢𝘧𝘳𝘪𝘵𝘴, 𝘈𝘭𝘢𝘴𝘵𝘢𝘪𝘳 𝘗𝘢𝘺𝘯𝘦, 𝘈𝘭𝘢𝘯 𝘗𝘶𝘳𝘷𝘦𝘴, 𝘈𝘥𝘢 𝘙𝘢𝘷𝘦, 𝘑𝘪𝘮𝘮𝘺 𝘚𝘦𝘳𝘯𝘦𝘴𝘬𝘺, 𝘑𝘰𝘯𝘢𝘵𝘩𝘢𝘯 𝘕𝘢𝘨𝘦𝘭, 𝘢𝘯𝘥 𝘑𝘢𝘯 𝘞𝘪𝘭𝘭𝘦𝘮 𝘷𝘢𝘯 𝘥𝘦𝘳 𝘏𝘢𝘮.

𝗟𝗶𝗺𝗶𝘁𝗲𝗱 𝗽𝗹𝗮𝗰𝗲 𝗳𝗼𝗿 𝟯𝟬 𝗴𝘂𝗲𝘀𝘁𝘀
𝗧𝗶𝗰𝗸𝗲𝘁𝘀 𝗮𝗿𝗲 €𝟭𝟬 𝗢𝗡𝗟𝗬 𝗖𝗔𝗦𝗛 𝗮𝘁 𝘁𝗵𝗲 𝗱𝗼𝗼𝗿 | €𝟱 𝗳𝗼𝗿 𝘀𝘁𝘂𝗱𝗲𝗻𝘁𝘀
𝗥𝗲𝘀𝗲𝗿𝘃𝗲 𝘆𝗼𝘂𝗿 𝘁𝗶𝗰𝗸𝗲𝘁 𝗮𝘁 𝗰𝗹𝗼𝘂𝗱𝟮𝟯@𝘅𝘀𝟰𝗮𝗹𝗹.𝗻𝗹 – 𝗲-𝗺𝗮𝗶𝗹 𝗶𝗻 𝗰𝗮𝘀𝗲 𝗼𝗳 𝗰𝗮𝗻𝗰𝗲𝗹𝗮𝘁𝗶𝗼𝗻
𝗖𝗼𝗿𝗼𝗻𝗮 𝗺𝗲𝗮𝘀𝘂𝗿𝗲𝗺𝗲𝗻𝘁𝘀 𝗮𝗿𝗲 𝗺𝗲𝘁: 𝘁𝗵𝗲 𝗮𝘂𝗱𝗶𝗲𝗻𝗰𝗲 𝘄𝗶𝗹𝗹 𝗯𝗲 𝘀𝗲𝗮𝘁𝗲𝗱 𝗮𝘁 𝗮𝗽𝗽𝗿𝗼𝗽𝗿𝗶𝗮𝘁𝗲 𝗱𝗶𝘀𝘁𝗮𝗻𝗰𝗲 𝗮𝗻𝗱 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗿𝗲𝗾𝘂𝗶𝗿𝗲𝗱 𝘁𝗼 𝘄𝗲𝗮𝗿 𝗮 𝗳𝗮𝗰𝗲 𝗺𝗮𝘀𝗸.

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AUTUMN QUANTA I – III

▷ AUTUMN QUANTA I: CONSULT THE DUST Saturday, 3 October, 2020

The Warp returns for a new season of multimedia performance events in the Kunstkapel. After a summer break Contraband in Company will present CRAWLSPACE OF HEADROOM.The individual artists of the Spring Quandary are reassembled in new ensembles researching the function of the actual building as an instrument and as raw material. Utilizing the architectural structure in many surprising ways, the artists will play the 360º Kunstkapel in a way that is unseen.

The following artists will collaborate in site-specific ensembles:

The Ensemble Todo Modo: Dirk Bruinsma , Robbert Van Hulzenand Christian Smith will create music from the existing architecture in the building with the performance ‘Rafters in the Void’.

The Afterwords Searchparty: Anthony Murell, Lise Brenner will combine spoken word and interactive visuals, called ‘The Layers Beneath‘.

The Supernumeraries: Stefania Petroula, Izabella Pacewicz Wysocka and Manuela Lucia Tessi will perform ‘Intruders’, an investigative work for movement.

The Fold: Performs A Variable Meridian/Fractal Divisions by Andreas Tegenader, Max van der Wal, a work in which live coding, photogrammetry and system feedback loop are used to restructure the Kunstkapel architecture.

The Binding Co-Morbidities: the intervention in space ‘A PRIMER effects‘ will provide an environment in which performers and audience can interact in a corona conscious environment.

The Alternating Current performs Litmus, a live surveillance camera feedback work.

▷ AUTUMN QUANTA II: SHRINKING RETURNS October 24, 2020, 20:00

An Audio Visual Spatial Interpretation of the Pandemic from Ancient Inspirations

The Pitfall Ensemble performs De Rerum Natura: Plague Music (Moving Image Scores).The Pitfall Ensemble is devoted to unusual scores, arrangements for spatially deployed music and site specific locations for performance. Pitfall now creates an annex for its original undertaking of creating a music work derived from Lucretius’ latin poem about scientific observations: De Rerum Natura (“On the Nature of Things”).
The last pages of De Rerum Ranta describes the plague as the natural end of humankind.

For this annex, The Pitfall Ensemble invites visual artists and its own members to develop visual motion scores which will be projected as a means for the ensemble to interpret the moving images. Three very different approaches to plague music in the 360º Kunstkapel will be the result. Featuring: Miriam den boer, Dirk Bruinsma, Maripepa Contreras, George Dumitriu, Lucija Gregov, Jan Willem van der Ham, Mary Oliver, Salvoandrea Lucifora, Aaron Lumley, Pau Sola Masafrets, Camille Verhaak and Rogier Hornman.With compositions by Dirk Bruinsma, Marit Shalem and by Andreas Tegnander and Max van der Wal.

The Afterwords Searchparty featuring Anthony Murrell and Lise Brenner will explore and atomize the work of Lucretius with visual interpolations in the performance Atomizing Terms for De Rerum Natura VI.

Surface to Volume performs The Quantum Entanglements & Figures. This group is frequently concentrated on the infinitesimal in its attempt to derive a different dynamic for visual music and hidden drama. Presented here as a preamble is a brief index of motifs to be featured in a sprawling if appropriately minuscule project.

Limited place for 30 guests
Tickets are €10 cash at the door | €5 for students
Reserve your ticket at cloud23@xs4all.nl |e-mail your cancelation
Corona measurements are met: the audience will be seated at appropriate distance and will be requested to wear a face mask.

▷ LIVESTREAM AUTUMN QUANTA III: THE AXIOMATIC UNCERTAINTIES

LIVE from the Kunstkapel / Fundamental Fysiks Group Reconnoiter Probe Submissions for Remote Viewing

The third event of the Autumn Quanta 2020 program is a live-streamed conference with 3 artistic interpretations of quantum physics.

This event is inspired by the Fundamental Fysiks Group that brought the San Fransisco Bay Area in the ’70s a new resurgence in the pursuit of resonant ideas in quantum physics which further led to the development of quantum information.

Styled as a conference, each performing unit has put forward an audio-visual essay, an art piece that is the exposition of an idea and a contribution to the theme of Remote Views that was established by the Fundamental Fysiks Group.

Streamed live as a computer coded audiovisual conference of non-locality quantum entanglement, the following particles will reach you at home:

The Self Similars performs Fractal Breakdowns – 5min

The Self Similars is a group devoted to charting quantum information data through Fractal Imaging. Fractal Imaging is a unique way of compressing and storing images in which mathematics has unlocked the door of restrictions of conventional imaging technology and created an important intersection of art and science. In this work, variant disciplines and data chains are merged, with each time producing a new series of rendered point clouds.

Alice & Bob While Steering performs Notes on Nonlocality – 1h30

In everyday life, distance and location are felt as daily absolute truths. Yet physics now suggests that at the most fundamental level, the universe is nonlocal – there is no such thing as place or distance. Albert Einstein’s general relativity instead ascribed gravity to the curvature of spacetime. It introduced a deeper sense of non-locality by showing that spacetime positions have no intrinsic meaning. In ‘Notes on Nonlocality’ the irrationality of infinite numbers is observed, by examining large sound samples derived from audiorate granular synthesis and visuals produced by transforming real-life imagery on the smallest scale, into initial states for a recursive cellular automaton system.

No Clone Wrestlers perform Emergences Thru Probability Amplitudes – 4min

A probability amplitude is a complex number used in describing the behavior of systems. They provide a wave function and the results of observationys of that system through emergences. Emergences indicate that small changes create big differences. In this piece, we observe how the small scale shapes the grand, with visuals created through continuous pixel movement and morphs in which the whole system symbiotically reacts to the audio.

All works are produced by Andreas Aalberg Tegnander and Max van der Wal.

Poster & flyer October Rambles 2019

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